Winspear Opera House tickets 27 March 2027 - Hervé Koubi – What the Day Owes to the Night | GoComGo.com

Hervé Koubi – What the Day Owes to the Night

Winspear Opera House, Dallas, USA
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8 PM
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US$ 93

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Modern Ballet
City: Dallas, USA
Starts at: 20:00

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: Compagnie Hervé Koubi
Creators
Choreographer: Hervé Koubi
Overview

What the Day Owes to the Night is a breathtaking contemporary dance masterpiece by French-Algerian choreographer Hervé Koubi. Combining contemporary dance, capoeira, martial arts, acrobatics, and urban movement, the production showcases twelve extraordinary male dancers in a visually stunning exploration of identity, brotherhood, and cultural heritage. Inspired by Koubi's Algerian roots, the work creates a powerful dialogue between tradition and modernity, delivering an unforgettable theatrical experience filled with beauty, strength, and emotion.

Created by acclaimed French-Algerian choreographer Hervé Koubi, What the Day Owes to the Night is a mesmerizing dance work that has captivated audiences around the world. Drawing inspiration from his personal exploration of Algerian heritage and Mediterranean culture, Koubi has crafted a production that transcends traditional dance categories and speaks to universal human experiences.

The performance features twelve exceptional male dancers from diverse backgrounds whose extraordinary athleticism and artistry transform the stage into a living work of art. Their movements seamlessly blend contemporary dance, capoeira, martial arts, acrobatics, and urban dance forms. The result is a dynamic visual language that appears both ancient and completely modern, rooted in cultural traditions while pushing the boundaries of contemporary performance.

Visually, the production is inspired by Orientalist paintings, Mediterranean history, and the geometric beauty of Islamic architecture. The dancers move as a collective body, creating images of harmony, struggle, resilience, and transformation. Gravity-defying leaps, fluid partnering, and breathtaking formations generate a sense of wonder that remains with audiences long after the performance ends.

At its heart, What the Day Owes to the Night is a meditation on identity, memory, and cultural connection. Through movement rather than words, the work explores how different traditions, histories, and peoples can coexist and enrich one another. Powerful, poetic, and deeply moving, it stands as one of the most celebrated contemporary dance productions of the 21st century.

Venue Info

Winspear Opera House - Dallas
Location   2403 Flora St

The Margot and Bill Winspear Opera House is an opera house (one of four venues in the AT&T Performing Arts Center) located in the Arts District of downtown Dallas, Texas (USA). Designed as a 21st-century reinterpretation of the traditional opera house, the Winspear seats 2,200 (with a capacity of 2,300) in a traditional horseshoe configuration. The facility is the home of The Dallas Opera (which until the 2008/2009 season performed at the Music Hall at Fair Park) and the Texas Ballet Theater.

History

Groundbreaking for the AT&T Performing Arts Center and Winspear Opera House was held in October 2006. The venue was designed by Foster and Partners (principal architect: Spencer de Grey) and made possible in part by a $42-million gift from Margot and Bill Winspear, for whom the facility is named. The London firm Sound Space Design (principal acoustician: Robert Essert) developed the acoustical design of the opera house and the acoustics were engineered specifically for performances of opera and musical theater. Theatre planning and theatre equipment design was by Theatre Projects Consultants. The stages were also equipped with appropriate flooring for performances of ballet and other forms of dance.

The opera house was presented to the public with tours and performances during the center's opening week, October 12 – 18, 2009. The first opera performance took place on October 23, 2009, with Verdi's Otello, conducted by Graeme Jenkins.

Design Features

The Annette and Harold Simmons Signature Glass Façade wrap around the building, creating transparency between the opera house and the surrounding Performance Park. An 84-foot (26 m) wide section of the glass façade is retractable to a height of 23 feet (7.0 m), literally opening up the Grand Lobby, Cafe, and Box Circle-level Restaurant to Performance Park.

The Grand Portico, radiating from the opera house on all sides, provides shade over 3 acres (12,000 m2) of the Performance Park. The solar canopy's louvers are arranged at fixed angles following the path of the sun. By eliminating the most direct sunlight on the façade and by creating a cooler microclimate around the building, the canopy significantly reduces the energy requirements of the Winspear Opera House.

In May 2009 artist Guillermo Kuitca was commissioned to design the stage curtain. The design abstracts the seating plan for Winspear's Margaret McDermott Performance Hall and reproduces this image onto the curtain itself.

A key design feature is the 318-rod chandelier located inside the performance hall, named The Moody Foundation Chandelier. The chandelier hangs 50 feet below the ceiling. Starting Friday, June 28, 2013, the traditional pre-performance ascent of The Moody Chandelier has been accompanied by an exclusively adapted piece “The Light” by American composer Philip Glass. Once retracted into the ceiling, it leaves the impression of a star-lit night, as each rod has the ability to "twinkle." The acrylic rods are illuminated by three primary color LEDs which allows the chandelier to be lit in virtually any color.

Important Info
Type: Modern Ballet
City: Dallas, USA
Starts at: 20:00
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