Winspear Opera House tickets 17 February 2027 - Turandot | GoComGo.com

Turandot

Winspear Opera House, Dallas, USA
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7:30 PM
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US$ 83

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Dallas, USA
Starts at: 19:30
Duration: 2h 25min
Sung in: Italian
Titles in: English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Soprano: Anna Pirozzi (Princess Turandot)
Conductor: Emmanuel Villaume
Orchestra: Dallas Symphony Orchestra
Soprano: Gabriella Reyes (Liù)
Tenor: Jorge Puerta (Calaf)
Tenor: Terrence Chin-Loy (Pang)
Bass: William Guanbo Su (Timur)
Baritone: Yeongtaek Yang (Ping)
Creators
Composer: Christopher Tin
Composer: Giacomo Puccini
Dramaturge: Carlo Gozzi
Stage Director: Francesca Zambello
Librettist: Giuseppe Adami
Choir director: Paolo Bressan
Librettist: Renato Simoni
Opera Company: The Dallas Opera
Overview

Experience Puccini’s final masterpiece as you have never seen or heard it before. The Dallas Opera presents a historic co-production of Turandot, featuring a groundbreaking, psychologically profound new ending. This visionary reimagining addresses the sudden narrative shift left unfinished by Puccini's passing, offering a deeply satisfying and emotionally resonant conclusion to one of opera's greatest tales.In this brilliant staging, the legendary ice princess is given newfound agency and depth. The final moments are brought to life through a collaboration between Emmy-winning Succession screenwriter Susan Soon He Stanton and Grammy-winning composer Christopher Tin. Together, they transform Turandot's transition from a vengeful ruler to a healing soul into an inspiring proclamation of mercy and a new era for her empire.A spectacular vocal feast featuring opera’s most famous aria, "Nessun dorma," this co-production with the Washington National Opera and Opéra de Montréal is the must-see cultural event of the season

History
Premiere of this production: 25 April 1926, Teatro alla Scala, Milan

Turandot is an opera in three acts by Giacomo Puccini, completed by Franco Alfano, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni.

Synopsis

Place: Peking, China
Time: Legendary times

Act 1

In front of the imperial palace

In China, beautiful Princess Turandot will only marry a suitor who can answer three secret riddles. A Mandarin announces the law of the land (Aria – Popolo di Pechino! – "People of Peking!"). The Prince of Persia has failed to answer the three riddles, and he is to be beheaded at the next rising moon. As the crowd surges towards the gates of the palace, the imperial guards brutally repulse them, causing a blind old man to be knocked to the ground. The old man's slave-girl, Liù, cries out for help. A young man hears her cry and recognizes that the old man is his long-lost father, Timur, the deposed king of Tartary. The young Prince of Tartary is overjoyed at seeing Timur alive, but still urges Timur to not speak his name because he is afraid that the Chinese rulers, who have conquered Tartary, may kill or harm them. Timur then tells his son that, of all his servants, only Liù has remained faithful to him. When the Prince asks her why, she tells him that once, long ago in the palace, the Prince had smiled at her (Trio with chorus – The crowd, Liù, Prince of Tartary, Timur: Indietro, cani! – "Back, dogs!").

The moon rises, and the crowd's cries for blood dissolve into silence. The doomed Prince of Persia, who is on his way to be executed, is led before the crowd. The young Prince is so handsome and kind that the crowd and the Prince of Tartary decide that they want Turandot to act compassionately, and they beg Turandot to appear and spare his life (Aria – The crowd, Prince of Tartary: O giovinetto! – "O youth!"). She then appears, and with a single imperious gesture, orders the execution to continue. The Prince of Tartary, who has never seen Turandot before, falls immediately in love with her, and joyfully cries out Turandot's name three times, foreshadowing the riddles to come. Then the Prince of Persia cries out Turandot’s name one final time, mirroring the Prince of Tartary. The crowd, horrified, screams out one final time and the Prince of Persia is beheaded.

The Prince of Tartary is dazzled by Turandot's beauty. He is about to rush towards the gong and to strike it three times – the symbolic gesture of whoever wishes to attempt to solve the riddles so that he can marry Turandot – when the ministers Ping, Pang, and Pong appear. They urge him cynically to not lose his head for Turandot and to instead go back to his own country (Fermo, che fai?). Timur urges his son to desist, and Liù, who is secretly in love with the Prince, pleads with him not to attempt to solve the riddles (Signore, ascolta! – "Lord, hear!"). Liù's words touch the Prince's heart. He begs Liù to make Timur's exile more bearable by not abandoning Timur if the Prince fails to answer the riddles (Non piangere, Liù – "Do not cry, Liù"). The three ministers, Timur, and Liù then try one last time to stop the Prince (Ah! Per l'ultima volta! – "Ah! For the last time!") from attempting to answer the riddles, but he refuses to heed their advice.

He calls Turandot's name three times, and each time Liù, Timur, and the ministers reply, "Death!" and the crowd declares, "We're already digging your grave!" Rushing to the gong that hangs in front of the palace, the Prince strikes it three times, declaring himself to be a suitor. From the palace balcony, Turandot accepts his challenge, as Ping, Pang, and Pong laugh at the Prince's foolishness.

Act 2

Scene 1: A pavilion in the imperial palace. Before sunrise

Ping, Pang, and Pong lament their place as ministers, poring over palace documents and presiding over endless rituals. They prepare themselves for either a wedding or a funeral (Trio – Ping, Pang, Pong: Ola, Pang!). Ping suddenly longs for his country house in Honan, with its small lake surrounded by bamboo. Pong remembers his grove of forests near Tsiang, and Pang recalls his gardens near Kiu. The three share their fond memories of their lives away from the palace (Trio – Ping, Pang, Pong: Ho una casa nell'Honan – "I have a house in Honan"). They turn their thoughts back to how they have been accompanying young princes to their deaths. As the palace trumpet sounds, the ministers ready themselves for another spectacle as they await the entrance of their Emperor.

Scene 2: The courtyard of the palace. Sunrise

The Emperor Altoum, father of Turandot, sits on his grand throne in his palace. Weary of having to judge his isolated daughter's sport, he urges the Prince to withdraw his challenge, but the Prince refuses (Aria – Altoum, the Prince: Un giuramento atroce – "An atrocious oath"). Turandot enters and explains (In questa reggia – "In this palace") that her ancestress of millennia past, Princess Lo-u-Ling, reigned over her kingdom "in silence and joy, resisting the harsh domination of men" until she was raped and murdered by an invading foreign prince. Turandot claims that Lo-u-Ling now lives in her, and out of revenge, Turandot has sworn to never let any man wed her. She warns the Prince to withdraw but again he refuses. The Princess presents her first riddle: Straniero, ascolta! – "What is born each night and dies each dawn?" The Prince correctly replies, Speranza – "Hope." The Princess, unnerved, presents her second riddle (Guizza al pari di fiamma – "What flickers red and warm like a flame, but is not fire?") The Prince thinks for a moment before replying, Sangue – "Blood". Turandot is shaken. The crowd cheers the Prince, provoking Turandot's anger. She presents her third riddle (Gelo che ti da foco – "What is ice which gives you fire and which your fire freezes still more?"). He proclaims, "It is Turandot! Turandot!"

The crowd cheers for the triumphant Prince. Turandot throws herself at her father's feet and pleads with him not to leave her to the Prince's mercy. The Emperor insists that an oath is sacred and that it is Turandot's duty to wed the Prince (Duet – Turandot, Altoum, the Prince: Figlio del cielo). She cries out in despair, "Will you take me by force? (Mi porterai con la forza?) The Prince stops her, saying that he has a riddle for her: Tre enigmi m'hai proposto – "You do not know my name. Tell me my name before sunrise, and at dawn, I will die." Turandot accepts. The Emperor then declares that he hopes that he will be able to call the Prince his son when the sun next rises.

Act 3

Scene 1: The palace gardens. Night

In the distance, heralds call out Turandot's command: Cosi comanda Turandot – "This night, none shall sleep in Peking! The penalty for all will be death if the Prince's name is not discovered by morning". The Prince waits for dawn and anticipates his victory: Nessun dorma – "Let no one sleep!"

Ping, Pong, and Pang appear and offer the Prince women and riches if he will only give up Turandot (Tu che guardi le stelle), but he refuses. A group of soldiers then drag in Timur and Liù. They have been seen speaking to the Prince, so they must know his name. Turandot enters and orders Timur and Liù to speak. The Prince feigns ignorance, saying they know nothing. But when the guards begin to treat Timur harshly, Liù declares that she alone knows the Prince's name, but she will not reveal it. Ping demands the Prince's name, and when Liù refuses to say it, she is tortured. Turandot is clearly taken aback by Liù's resolve and asks Liù who or what gave her such a strong resolve. Liù answers, "Princess, love!" (Principessa, amore!). Turandot demands that Ping tear the Prince's name from Liù, and Ping orders Liù to be tortured even more. Liù counters Turandot (Tu che di gel sei cinta – "You who are encircled by ice"), saying that Turandot too will learn the exquisite joy of being guided by caring and compassionate love. Having spoken, Liù seizes a dagger from a soldier's belt and stabs herself. As she staggers towards the Prince and falls dead, the crowd screams for her to speak the Prince's name. Since Timur is blind, he must be told about Liù's death, and he cries out in anguish. When Timur warns that the gods will be offended by Liù's death, the crowd becomes subdued, very afraid and ashamed. The grieving Timur and the crowd follow Liù's body as it is carried away. Everybody departs, leaving the Prince and Turandot alone. He reproaches Turandot for her cruelty (Duet – The Prince, Turandot: Principessa di morte – "Princess of death"), then takes her in his arms and kisses her in spite of her resistance.

The Prince tries to persuade Turandot to love him. At first, she feels disgusted, but after he kisses her, she feels herself becoming more ardently desiring to be held and compassionately loved by him. She admits that ever since she met the Prince, she realized she both hated and loved him. She asks him to ask for nothing more and to leave, taking his mystery with him. The Prince, however, then reveals his name: "Calaf, son of Timur – Calaf, figlio di Timur", thereby placing his life in Turandot's hands. She can now destroy him if she wants (Duet – Turandot, Calaf: Del primo pianto).

Scene 2: The courtyard of the palace. Dawn

Turandot and Calaf approach the Emperor's throne. She declares that she knows the Prince's name: Diecimila anni al nostro Imperatore! – "It is ... love!" The crowd sings and acclaims the two lovers (O sole! Vita! Eternità).

Venue Info

Winspear Opera House - Dallas
Location   2403 Flora St

The Margot and Bill Winspear Opera House is an opera house (one of four venues in the AT&T Performing Arts Center) located in the Arts District of downtown Dallas, Texas (USA). Designed as a 21st-century reinterpretation of the traditional opera house, the Winspear seats 2,200 (with a capacity of 2,300) in a traditional horseshoe configuration. The facility is the home of The Dallas Opera (which until the 2008/2009 season performed at the Music Hall at Fair Park) and the Texas Ballet Theater.

History

Groundbreaking for the AT&T Performing Arts Center and Winspear Opera House was held in October 2006. The venue was designed by Foster and Partners (principal architect: Spencer de Grey) and made possible in part by a $42-million gift from Margot and Bill Winspear, for whom the facility is named. The London firm Sound Space Design (principal acoustician: Robert Essert) developed the acoustical design of the opera house and the acoustics were engineered specifically for performances of opera and musical theater. Theatre planning and theatre equipment design was by Theatre Projects Consultants. The stages were also equipped with appropriate flooring for performances of ballet and other forms of dance.

The opera house was presented to the public with tours and performances during the center's opening week, October 12 – 18, 2009. The first opera performance took place on October 23, 2009, with Verdi's Otello, conducted by Graeme Jenkins.

Design Features

The Annette and Harold Simmons Signature Glass Façade wrap around the building, creating transparency between the opera house and the surrounding Performance Park. An 84-foot (26 m) wide section of the glass façade is retractable to a height of 23 feet (7.0 m), literally opening up the Grand Lobby, Cafe, and Box Circle-level Restaurant to Performance Park.

The Grand Portico, radiating from the opera house on all sides, provides shade over 3 acres (12,000 m2) of the Performance Park. The solar canopy's louvers are arranged at fixed angles following the path of the sun. By eliminating the most direct sunlight on the façade and by creating a cooler microclimate around the building, the canopy significantly reduces the energy requirements of the Winspear Opera House.

In May 2009 artist Guillermo Kuitca was commissioned to design the stage curtain. The design abstracts the seating plan for Winspear's Margaret McDermott Performance Hall and reproduces this image onto the curtain itself.

A key design feature is the 318-rod chandelier located inside the performance hall, named The Moody Foundation Chandelier. The chandelier hangs 50 feet below the ceiling. Starting Friday, June 28, 2013, the traditional pre-performance ascent of The Moody Chandelier has been accompanied by an exclusively adapted piece “The Light” by American composer Philip Glass. Once retracted into the ceiling, it leaves the impression of a star-lit night, as each rod has the ability to "twinkle." The acrylic rods are illuminated by three primary color LEDs which allows the chandelier to be lit in virtually any color.

Important Info
Type: Opera
City: Dallas, USA
Starts at: 19:30
Duration: 2h 25min
Sung in: Italian
Titles in: English
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